Get Full Government Meeting Transcripts, Videos, & Alerts Forever!
Get email alerts on the Public Art topic
No spam. Unsubscribe anytime.
NYC Parks to install Neil Hamamoto sculpture "Abstract Concrete" in Canal Park around May 8 for up to a year
Summary
NYC Parks and artist Neil Hamamoto have scheduled a precast-concrete sculpture titled Abstract Concrete for Canal Park, with installation around May 8 and a planned one-year display. The piece is engineered to be freestanding and exceed the park's 800-pound threshold; Parks staff said signage and outreach will accompany the work.
Get email alerts on the Public Art topic
No spam. Unsubscribe anytime.
NYC Parks and sculptor Neil Hamamoto will install a temporary public artwork titled Abstract Concrete in Canal Park on or around May 8, with the sculpture expected to remain on site for about a year, committee members heard.
Elizabeth Masella, senior public art coordinator for NYC Parks, told the Community Board 2 Parks & Waterfront Committee that the installation is part of the agency's Art in the Parks temporary public art program and that the artist plans to place the work in the center of Canal Park where the previous sculpture stood. "We just had another sculpture there by Mike Hansel that was just taken out. So this will be going in on or around May 8. We'll be there for a year," Masella said.
The work is by Neil Hamamoto, a New York-based visual artist and founder of the nonprofit Worthless Studios. Hamamoto described the sculpture as part of a new "Wordplay" series that explores language and material: "The work is titled Abstract Concrete. It is a 1 of the larger sized sculptures ... investigating the intersection of materiality and language," he said. The proposed piece is precast concrete, about 9.5 feet tall and roughly 1,400 pounds, and will be fastened to a metal armature so it remains freestanding rather than bolted to the ground.
The size and weight were discussed in committee because Canal Park has a stated 800-pound requirement for certain installations; Masella and Hamamoto said the proposed sculpture exceeds that threshold and is engineered for site conditions. "On my end, it's engineered to withstand climbing, but obviously we hope that that doesn't occur," Hamamoto said when committee members asked about the possibility of people climbing the work.
Masella described how the Art in the Parks program operates and the responsibilities of artists and community groups. "We don't get any funding from the city. So we are unable to provide financial support to artists," she said, adding that Parks helps shepherd proposals through borough offices and community board review but requires commercial general liability insurance and a security deposit to restore a site. Masella said Parks will provide a sign for the work that lists the sculpture's name, materials and a short description; she said the sign can link to a longer explanation on the artist's website and that the agency can help promote the installation on its and the community board's websites.
Committee members and attendees discussed outreach and promotion. Masella said the Hudson Square Business Improvement District contacted Parks upon seeing the agenda and plans to include the project in its newsletter. Shirley, a committee member who has followed Canal Park's history, asked whether explanatory text could accompany the work; Masella confirmed signage and said she would link to additional material online.
Committee members also raised a separate pedestrian-safety concern tied to the park. A participant said the walk signal on the south side of Canal Park is not coordinated with the adjacent traffic signal on Washington Street and warned that increased visitation could lead to crossings against the signal. Committee members said the signal timing issue should be brought to the Department of Transportation for review and added to the board's agenda for follow-up.
The artist and Parks staff said they expect some schedule flexibility for the May installation window because large sculptures can encounter fabrication or delivery delays. Masella said the program typically allows a few days for installation and that dates are occasionally adjusted for logistics.
No vote or formal committee action was recorded during the presentation; the session was informational and included time for questions from committee members and attendees. Parks staff and the artist promised to provide signage text and promotional materials to the community board once the work is on view.

